Still quietly radical, ‘Killer of Sheep’ showcases an unvarnished side of 1970s L.A. life
For decades, Charles Burnett’s best film was little more than a rumor. Shot over weekends in the early 1970s with a mostly nonprofessional cast and a budget that didn’t hit five figures, “Killer of Sheep” wouldn’t receive its first public screening until the fall of 1978 at New York’s Whitney Museum. Sporadically playing only at … Read more