An inspired filmmaker takes us on a ‘Grand Tour’ of a colonialist past and a vibrant present
“Grand Tour,” the latest film from Portugal’s Miguel Gomes, is stuck in the past, beautifully so, and yet, the present keeps creeping in, insisting on making itself heard. But where other directors might look backward to luxuriate into nostalgia — whether out of fondness for a bygone era or an antiquated style of filmmaking — … Read more